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Assassin's Creed Origins

Assassin's Creed Origins - Final Impressions

We stepped back into Bayek's sandals for one last adventure in Ancient Egypt ahead of the imminent launch of Origins.

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If you fluff your lines or get spotted assassinations simply won't do, and you'll need to fight your way out, an experience that's a whole lot different from previous games. As we were informed by the Ubisoft rep at the event, the game has changed from an animation-based system to a hitbox one, and everything is much more tactical. Instead of hitting counter each time to get an instakill, here you have to outwit your opponent, parry at the right time, and dodge away from danger. It's a worn comparison, but it has to be said that it's not dissimilar from Dark Souls, with light attack on R1/RB and heavy on R2/RT. Using the limited combos you have (you can't attack endlessly after all) with your shield is vital for staying alive, especially since getting away from enemies is especially difficult in open terrain.

What's more is that assassinations are also slightly tweaked, but in a good way. Don't worry, pressing triangle/Y behind an unsuspecting enemy will still kill them instantly, but here they feel more visceral and brutal. It's not just a case of poking them with your outstretched hand, as you often throw them to the floor first, barge them over, or slash their neck - it feels much more impactful and satisfying to pull off.

Assassin's Creed Origins

When it kicks off and things get wild there are plenty of weapons to choose from. We opted for a heavy mace, which was slow but dealt plenty of damage, as well as the aforementioned spear, the Serpent of Serapis. Adrenaline moves can also be used once you've been in battle long enough, which varies from weapon to weapon; for the mace, it was a burst of intensity that we assume dealt more damage, whereas for the spear it was a singular lunging attack. Other kinds of weapons include twin blades, regular shortswords, and you can even go in unarmed (although we wouldn't recommend that).

There are even different types of bow. The Warrior Bow, for instance, fires multiple arrows at a time, which as you can imagine is effective but very taxing on your ammunition. The Predator Bow, on the other hand, allows you to control the arrow mid-air, to get those extra accurate slow-mo shots. This variety in terms of combat really helped keep things fresh, especially since weapons can be collected in the world, broken down for parts, sold, bought, and even upgraded, so when you find a loadout that works, you can really go to town making it a beastly one.

Assassin's Creed Origins

This upgrading and looting system doesn't just apply to weapons, though. Armour, shields, tools, mounts, and more can all be exchanged for bigger and better variants, so it's worth scouring the land to find crafting resources to constantly better your equipment. The pursuit of more effective gear was a hook that caught us in our time with the game, and we can imagine that would persist throughout, especially since we were constantly finding new things we wanted to try out.

Bayek can also be upgraded via the rather extensive skill tree that was mentioned in our first hands-on. This includes all manner of things that can help you out in combat, and since we advanced four levels in four hours, it's not like you can fill it up insanely quickly. There's plenty to choose from, like a perk that lets you shoot arrows in slow-motion, another that increases the effectiveness of Predator Bows, and one that lets you land more hits in combat per combo. Choosing wisely is therefore imperative, as is making sure you know what's ahead in the skill tree too.

What we haven't talked about yet is the main quest, which saw us pursue the Scarab. The entire questline we saw featured pretty big spoilers, so we won't go into too much detail, but the basis of this part of the story was that the Scarab was one of the many branches of the Order of the Ancients, a mysterious force controlling the major figures of the era, and we needed to hunt them down and stop them (again, not unlike Wildlands' different cartel leaders). This took us in a lot of directions, and we liked what we saw, as it all felt fresh, grand in scale, and we didn't always see things coming.

Assassin's Creed Origins

Not everything was perfect when we played, though, as the characters were probably the weakest point. Bayek, while gritty and stoic, can often be a bit boring in his dialogue, and a lot of the other characters weren't particularly interesting either. Taharqa was one of the more interesting personalities we met, but a lot of them just seem a bit wooden. What's more, the lip sync was off a number of times too, while some characters even lacked a bit of detail. Issues like clipping were also present, but considering we don't know how old the build we played was, some of this may well have already been fixed.

Origins seems to strike a balance between feeling like an Assassin's Creed game, with the assassinations, the mystery, and the third-person historical setting, but also mixes this with a modernisation inspired in major ways by other Ubisoft titles. The predominance of wild animals, for instance, feels a lot like Far Cry, the eagle felt like the drone in Watch Dogs 2 and Wildlands, and Wildlands also came to mind when we had to take down different leaders on the map.

We were relieved to see that the world was interesting to explore and discover, and that there's depth in the gear and upgrade options, so there should be plenty for players to see, try, and do when October 27 comes around. It's definitely a revamp for the franchise, one with an engaging setting, a new outlook on player progression, and something to prove after a year in the shadows.

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